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Books:
Aldersey-Williams, Hugh, et al. Cranbrook Design: The New Discourse. New York: Rizzoli, 1990.
Aldersey-Williams, Hugh. New American Design: Products and Graphics for a post-industrial
age. New York: Rizzoli, 1988.
Aldrich-Ruenzel, Nancy and Fennell, John, ed. Designer's Guide to Typography. New York:
Watson-Guptil Publishers, 1991.
Berman, Art. Preface to Modernism. Chicago: University of Illinois Press, 1994.
Bierut, Michael, et. al., ed. Looking Closer: Critical Writings on Graphic Design. New York:
Allworth Press, 1994.
Black, Alison. Typefaces for desktop publishing. London: Architecture Design and
Technology Press, 1990.
Blackwell, Lewis. Twentieth-Century Type. New York: Rizzoli Press, 1992.
Broos, Kees, and Hefting, Paul. Dutch graphic design: A century. Cambridge: MIT Press, 1993.
Carter, Rob. American Typography Today. New York: Van Nostrand Reinhold, 1989.
Carter, Rob, Day, Ben, and Meggs, Philip. Typographic Design: Form and Communication.
New York: Van Nostrand Reinhold, 1985.
Chwast, Seymour, and Heller, Steven. Graphic Style. New York: Harry N. Abrams, 1988.
Ciampa, John. Communication: The Living End. New York: Philosophical Library, 1989.
Cotton, Bob, and Oliver, Richard. Understanding Hypermedia. London: Phaidon Press Ltd., 1993.
Gill, Eric. An Essay on Typography. Boston: David R. Godine, Publisher, 1988.
Glauber, Barbara. Lift and Separate: Graphic Design and the Quote/Unquote Vernacular.
New York: The Herb Lubalin Study Center, 1993.
Heller, Steven, and Chwast, Seymour. Graphic Style. New York:Harry N. Abrams, Inc., 1988.
Hollis, Richard. Graphic Design: A Concise History. London: Thames and Hudson, 1994.
Hughes, Robert. The Shock of the New. New York: McGraw-Hill, 1990.
Kinross, Robin. Modern Typography: An essay in critical history. London: Hyphen Press, 1992.
Lechte, John. Fifty Contemporary Thinkers. London and New York: Routledge, 1994.
Labuz, Ronald. Contemporary Graphic Design. New York: Van Nostrand Reinhold, 1991.
Lindinger, Herbert, ed. Ulm Design: The Morality of Objects. Massachusetts: The MIT Press, 1991.
Livingston, Alan and Isabella. Encyclopedia of Graphic Design and Designers. London:
Thames and Hudson, 1992.
Lupton, Ellen, ed. Graphic Design and Typography in the Netherlands: A View of Recent Work. New York: Princeton Architectural Press, 1992
Margolin, Victor ,ed. Design Discourse. Chicago: The University of Chicago Press, 1989.
Meggs, Philip. A History of Graphic Design. New York: Van Nostrand Reinhold, 1992.
McLean, Ruari. Jan Tschichold: typographer. Boston: David R. Godine, Publisher, 1975.
McLuhan, Marshal. Understanding Media: The Extensions of Man. Cambridge: MIT Press, 1964.
Muller-Brockmann, Josef. A History of Visual Communication. Switzerland: Verlag Arthur
Niggli, 1971.
Neuenschwander, Brody. Letterwork: Creative Letterforms in Graphic Design. London:
Phaidon Press Ltd., 1993.
New Typo Graphics. Tokyo: PIE Books, 1993.
Poynor, Rick. The Graphic Edge. London: Booth-Clibborn Editions, 1993.
Poynor, Rick. Typography Now. London: Booth-Clibborn Editions, 1991.
Purvis, Alston W.. Dutch Graphic Design, 1918-1945. New York: Van Nostrand
Reinhold, 1992.
Rand, Paul. A Designers Art. New Haven: Yale: University Press, 1985.
Rand, Paul. Design, Form and Chaos. New Haven: Yale: University Press, 1993.
Rehe, Rolf. Typography: How to Make it Most Legible. Indianapolis: Design Research
Publications, 1974.
Remington, R. Roger and Hodik, Barbara J. Nine Pioneers in American Graphic Design.
Massachusetts: The MIT Press, 1989.
Saarinen, Esa, and Taylor, Mark C.. Imagologies: Media Philosophy. London:
Routledge, 1994.
Spencer, Herbert. Pioneers of modern typography. New York: Hastings House, 1969.
Spencer, Herbert. The Liberated Page. San Francisco: Bedford Press, 1987.
Thompson, Bradbury. The Art of Graphic Design. New Haven:Yale University Press, 1988.
Tschichold, Jan. Asymmetrical Typography. New York: Reinhold Publishing, 1967.
VanderLans, Rudy and Licko, Zuzana. Emigre: Graphic Design into the Digital Realm.
New York: Van Nostrand Reinhold, 1993.
Wozencroft, Jon. The Graphic Language of Neville Brody. New York: Rizzoli, 1991.
Wozencroft, Jon. The Graphic Language of Neville Brody 2. New York: Rizzoli, 1994.
Yelavich, Susan, et al. The Edge of the Millennium. New York: Watson-Guptil
Publishing, 1993.
Articles:
Baines, Phil. “Modernity and tradition.” Eye, vol.2, no. 7, p. 4-6.
Barnbrook, Jonathan. “Fonts set free (custom font design is revolutionizing typography)” Design (London, England) vol. no 514 p24-7 October 1991.
Bartl, Peter. “Form and technology (technological origins of design principles of Modern
and Post-modern typography)” Mobilia vol.324 p.4-9 1984.
Braybrook, Susan. “Cranbrook at Sixty.” Print, p. 77-89.
Burnett, Kathleen. “Communication with visual sound: Herbert Bayer and the design
of type” Visible Language v24 no3/4 p.298-333 1990.
Byrne, Chuck and Witte, Martha. “A Brave New World: Understanding Deconstruction”.
Print, Nov./Dec. 1990, vol.44, no. 6, p.80-7.
Carson, David. “Thoughts on the New Typography.” How, February 1994 p. 68-73.
Carter, Matthew. “Typography and Current Technologies.” Design Quarterly, no. 148
1990 p. 55-64.
Codrington, Andrea. “Redesigning Destiny.” I.D. January/February 1993 p.16.
Cornelius, Coleman. “A Man of Letters.” How, February 1994 p. 62-7.
Dauppe, Michele-Anne. “Get the Message?” Eye, vol. 1, no. 3, p.4-7.
Dooley, Michael. “Kicking up a Little Dust.” Print, September/October, vol. 46,
no. 5, p. 46-57
Drucker, Johanna. “Typographic manipulation of the poetic text in the early twentieth-
century avant-garde” Visible Language v25 p.231-56 Spring 1991.
Eastman, Mark. “Off the Beaten Path: New Directions in Type Design.” Communication Arts, November 1994, no. 252, p. 216-221.
Edwards, Ethan. “Way out West.” Eye, vol. 3, no. 10, p.54-57.
“Face to Face Neville Brody and David Carson.” Creative Review, May 1994, p.28-30.
Farrelly, Liz. “One from the Heart.” Eye, vol. 2, no. 6, p. 24-33.
Friedman, Daniel. “A View: Introductory Education in Typography.” Visible Language,
VII 2, Spring 1973, p.129-144.
Heller, Steven. “Changing of the Guard.” Eye, vol. 3, no.8, p.4-5.
Heller, Steven. “The Shock is Gone.” I.D. March/April 1988 p.62-63.
Heller, Steven. “Cult of the Ugly.” Eye, vol. 3, no. 9. p.52-59.
Heller, Steven. “Two Art Directors and Their Cult(ure) Magazines.” Print, January/February 1992, vol. 46, no. 1 p. 58-62.
Hinrichs, Kit. “Character Development: Comments on the New Typography.” How, February 1994, p. 58-61.
Horsham, Michael. “I don't use a Mac but I know a man who can.” Eye, vol. 4, no.13,
p. 6-7.
Howard, Andrew. “There is such a thing as society.” Eye, vol. 4, no.13, p. 72-77.
Keedy, Jeffery. “The rules of typography according to (crackpots) experts.” Eye, vol. 3, no. 11, p. 48-55.
Kinross, Robin. “The digital wave” Eye, vol. 2, no.7, p.27-39.
Licko, Zuzana, and Vanderlans, Rudy. “The New Primitives.” I.D. March/April 1988
p.58-61.
Lupton, Ellen. “The Academy of Deconstructed Design.” Eye, vol. 1, no. 3, p. 44-55.
Lupton, Ellen, and Miller, J. Abbott. “Deconstruction and Graphic Design: History Meets
Theory.” Visible Language, vol. 28, no. 4, 1994
McArthur, Douglas. “Sign function and potential of the printed word” Visible Language
v26 p.282-97 Summer/Autumn 1992.
Meggs, Philip. “Has Graphic Design Got a Future?” Print, March/April
vol. 48 p.112-114.
Meggs, Philip. “For the Voice.” Print, September/October, vol. 44, no. 5, p. 112-19.
Meggs, Philip. “Massimo Vignelli vs. Ed Benguiat (Sort of).” Print, September/October
1991, vol. 45, no. 5, p. 88-95+.
Meggs, Philip. “The New Illegibility.” Print, September/October 1992, vol. 46,
no. 5, p. 46-57.
McCoy, Katherine. “American Graphic Design Expression.” Design Quarterly, vol. 148,
1990, p.4-22.
McCoy, Katherine, and Frej, David. “Typography as Discourse.” I.D., p.34-37.
Mills, Mike. “The (layered) vision thing.” Eye, vol. 3, no. 8, p.8-9.
Poynor, Rick. “American Gothic.” Eye, vol. 2, no.6, p.64.
Poynor, Rick. “Design Without Boundaries.” I.D,. November 1993 p.50-55.
Poynor, Rick. “Interview with Neville Brody.” Eye, vol. 2, no.6, p.8-16.
Poynor, Rick. “Interview with Malcolm Garrett.” Eye, vol. 3, no.12, p.10-16.
Poynor, Rick. “Neville Brody Faces the Future.” I.D., September/October, vol. 41, p. 42-7.
Poynor, Rick. “Whatever became of the content?” Eye, vol. 3, no.9, p.6-7.
Rea, Peter. “Interview with Dan Friedman.” Eye, vol. 4, no.14, p.11-16.
Rock, Michael. “Beyond Typography.” Eye, vol. 4, no. 15, p. 26-35.
Rock, Michael. “Emigre Comes of Age.” I.D., May/June 1994 p.32-33.
Rock, Michael. “P. Scott Makela is Wired.” Eye, vol. 3, no. 12, p. 26-35.
Rous, Jan. “The Typography and design of Czech books between the wars”
Fine Print vol.13 p.19-21 January 1987.
Spiekerman, Erik. “Matthew Carter.” Eye, vol. 3, no. 11, p.10-16.
Stiff, Paul. “Stop sitting around and start reading.” Eye, vol. 3, no. 11, p. 4-5.
Thrift, Julia. “Rudy Vanderlans.” Eye, vol. 2, no.7, p.8-16.
Videos:
“American Masters: John Cage” Public Broadcasting Systems New York, NY 1990.
“Structuring Information”. Sharon Poggenpohl, Rochester Institute of Technology
October 1992.
“The Avant-Garde in Print” Arthur Cohen, Rochester Institute of Technology, October 1991.
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